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राजनंदिनी फिल्म्स के प्रेजेंटर तरुण राठी कहते हैं, “ये फिल्म एक ऐसी फिल्म है, जो आपकी आत्मा को झकझोर देती है और फिर भी आपको मुस्कुराहट दे जाती है। ये ट्रेंडिंग फीचर फिल्म सिनेमाघरों में इस १० फरवरी को आने वाली है|
राठी फिल्म और सामाजिक सक्रियता क्षेत्र में एक प्रसिद्ध सामाजिक शख्सियत हैं, जो धरम सेंसर बोर्ड के साथ-साथ वीपी – फिल्म डेवलपमेंट काउंसिल (एमओएस) का भी हिस्सा हैं।कई जिम्मेदारिया निभाना कोई आसान काम नहीं है, लेकिन राठी इसे आसानी से कर लेते हैं।
वो ये कहते है कि सामाजिक फिल्मे और मनोरंजन इस समय के लिए अनिवार्य है। राठी कहते हैं, “जब मेरे दोस्त, एक अद्भुत अभिनेता-कार्यकारी निर्माता, आशुतोष बाजपेय , मेरे लिए ये फिल्म और साथ में अनुपम खेर और नीना गुप्ता ले आए और किशोर वरीएथने इसे एक अलग ही रूप दिया, मेने इस्का हिस्सा बनने के लिए खुशीसे हा की। हमें ऐसी फिल्मों की जरूरत है। अनुपम और नीना जैसे अनुभवी दिग्गज स्क्रिप्ट को दूसरे स्तर पर ले जाते हैं। इस मामले में, हमारे पास अजयन वेणुगोपालन थे जो हिट मेट्रो पार्क श्रृंखला के निर्देशक है, साथ ही युवा प्रतिभा नरगिस फाखरी, और शारिब हाशमी और जुगल हंसराज भी थे। यह एक निश्चित अच्छा प्रोजेक्ट था। इन सबसे ऊपर यह तथ्य था कि शिव शास्त्री बाल्बोआ सरासर मानवीय भावना की जीत के बारे में हैं और कैसे दूसरों को उठाके हम खुद को ऊपर उठाते हैं।
अनुपम खेर, नीना गुप्ता, जुगल हंसराज, नरगिस फाखरी, शारिब हाशमी अभिनीत शिव शास्त्री बाल्बोआ, UFI मोशन पिक्चर्स प्राइवेट लिमिटेड द्वारा प्रस्तुत है — किशोर वरिथ, अनुपम खेर स्टूडियो और तरुण राठी, निर्माता: किशोर वरिथ, कार्यकारी निर्माता: आशुतोष बाजपेय , यह फिल्म अजयन वेणुगोपालन द्वारा लिखित और निर्देशित है और इस 10 फरवरी को आपके नजदीकी सिनेमाघरों में आ रही है।
शिव शास्त्री बाल्बोआ के जज्बे को देख कर प्रेरित हुए तरुण राठी!
Xishmiya Brown With Her Childhood Best Friend Gemray Shaw
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कभी-कभार जब आप इस दुनिया में कहीं खो जाते हैं तभी आपको ख़ुद को पाने का एहसास होता है और फिर ख़ुद को पहचानने की प्रक्रिया शुरू होती है. ऐसे में आपको इस बात का भी एहसास होने लगता है कि ज़िंदगी किसी मंज़िल का नाम नहीं, बल्कि निरंतर चलते रहनेवाले अनोखे सफ़र का नाम है.
फ़िल्म ‘शिव शास्त्री बैल्बोआ’ में दिखाया गया है कि किस तरह से फ़िल्म में टाइटल रोल निभा रहे (अनुपम खेर) अपने बेटे राहुल (जुगल हंसराज) के घर पर सुकून भरी ज़िंदगी छोड़कर अपनी दोस्त एल्सा (नीना गुप्ता) की मदद करने के लिए एक अनूठे सफर पर निकल पड़ते हैं. इस दौरान उन्हें जिस तरह के अनूठे अनुभव होते हैं, वही इस फ़िल्म को देखने लायक बनाते हैं.
शिव शास्त्री बैल्बोआ की इस रोमांचक यात्रा में सिनॉमन सिंह (शारिब हाशमी) और उनकी ख़ुशमिजाज और दिलदार गर्लफ़्रेंड सिया (नरगिस फाकरी) भी जुड़ जाती हैं और दोनों इस सफ़र को और भी मज़ेदार बनाते हैं. शिव शास्त्री बैल्बोआ बने अनुपम खेर के इस रोमांचक सफ़र से जल्द ही कुछ बाइकर्स भी जुड़ जाते हैं और फिर उनकी यह यात्रा और भी रोचक हो जाती है. उल्लेखनीय है कि शिव शास्त्री बैल्बोआ के हौसले को और बढ़ाने का काम करता है उनके बेटे का पालतू कुत्ता कैप्सूल जो उनके उत्साह को हर क़दम पर बढ़ाने का भी काम करता है.
उल्लेखनीय है कि फ़िल्म ‘शिव शास्त्री बैल्बोआ’ का ट्रेलर मुम्बई के अंधेरी स्थित पीवीआर आइकन में फिल्म की पूरी कास्ट की मौजूदगी में लॉन्च किया गया. ग़ौरतलब है कि इस ख़ास मौके पर बाइकर्स के पीचे बैठे अनुपम खेर और नीना गुप्ता एंट्री कर्ते नज़र आए. अनुपम खेर और नीना गुप्ता के इस मज़ेदार अंदाज़ ने माहौल को भी ख़ुशनुमां बना दिया.
आप भी ‘शिव शास्त्री बैल्बोआ’ के इस रोमांचक सफ़र के साथी बनिए और फ़िल्म में दिखाए गई बाइक राइडिंग से लेकर स्काय डाइविंग का लुत्फ़ बड़े पर्दे पर ज़रूर उठाएं.
अजायन वेणुगोपालन द्वारा निर्देशित इस फ़िल्म में अनुपम खेर, नीना गुप्ता, जुगल हंसराज, नरगिस फाकरी, शारिब हाशमी जैसे मंजे हुए कलाकार अहम भूमिकाओं में नज़र आएंगे. UFI मोशन पिक्चर्स प्राइवेट लिमिटेड के किशोर वेरिएथ, अनुपम खेर स्टूडियोज़ और तरुण राठी इस फ़िल्म के प्रस्तुतकर्ता हैं. फ़िल्म का निर्माण किया है किशोर वेरिएथ ने जबकि आशुतोष बाजपेयी फिल्म के कार्यकारी निर्माता हैं. फ़िल्म ‘शिव शास्त्री बैल्बोआ’ 10 फ़रवरी को देशभर के सिनेमाघरों में रिलीज़ की जाएगी.
अनुपम खेर की ‘शिव शास्त्री बैल्बोआ’ का ट्रेलर देखकर आपका मन भी स्कायडाइविंग और बाइक राइडिंग के लिए मचल उठेगा, 10 फरवरी को सिनेमाघरों में रिलीज होगी फ़िल्म
कधी कधी असं वाटतं की जीवनात काहीही होत नाही, आपण हरवलो आहोत, आणि अशा वेळी तुम्ही स्वतःला शोधण्याचा प्रयत्न सुरु करता. जेव्हा प्रयत्न सुरु करता तेव्हा जाणवते की, आयुष्याचा प्रवास अजून सुरु आहे. आपला प्रवास संपलेला नाही आणि आपले गंतव्य स्थानही अजून आलेले नाही. आणि तुम्ही आणखी जोमाने कामाला सुरुवात करता. अगदी हाच विचार करून अनुपम खेर यांच्या शिवशास्त्री बल्बोआ चित्रपटाची निर्मिती करण्यात आलेली आहे.
शिवशास्त्री बल्बोआ (अनुपम खेर) मैत्रिण एल्सा (नीना गुप्ता) ला मदत करण्यासाठी निघाले आहेत, आपल्या मुलाच्या राहुलच्या (जुगल हंसराज)च्या आरामदायी घरातून त्यांचा हा प्रवास एका वेगळ्या साहसाच्या जगात प्रवेश करतो.
त्यांच्या या रोलरकोस्टर राईडमध्ये त्यांना साथ मिळते सिनॉमन सिंग (शरीब हाश्मी) आणि त्याची प्रेमळ मैत्रीण सिया (नर्गिस फाखरी) यांची. त्त्यानंतर प्रवेश होतो बाईकर्सच्या टोळीचा. या बायकर्स टोळीसोबत अनुपम खेर जीवनाच्या एका अनोख्या साहसी प्रवासाला सुरुवात करतात. त्यांच्या या प्रवासात त्यांच्या मुलाचा कुत्रा कॅस्पर उर्फ कॅप्सूल त्यांना प्रोत्साहित करतो, त्यांना साहसी कृत्ये करण्यास प्रेरित करतो. त्यामुळे शिवशास्त्री बल्बोआचे आयुष्य ऊर्जा आणि उत्साहाने भरले जाते.
शिवशास्त्री बल्बोआचा ट्रेलर नुकताच पीव्हीआर आयकॉन येथे लाँच करण्यात आला. यावेळी सुपरबायकर्सची टोळीही उपस्थित होती. आणि यावेळी अनुपम खेर आणि नीना गुप्ता यांनी पिलियन राइडचा आनंद घेतला! याला तुम्ही साहस म्हणणार नाही तर काय?
एका सामान्य माणसाच्या असामान्य साहसांमध्ये शिवशास्त्री बल्बोआसमवेत सामील व्हा आणि घ्या सुपरबाईक चालवण्याचा आणि स्कायडायव्हिंगचा अनुभव!!!
अजयन वेणुगोपालन दिग्दर्शित शिवशास्त्री बल्बोआत अनुपम खेर, नीना गुप्ता, जुगल हंसराज, नर्गिस फाखरी आणि शारीब हाश्मी यांच्या अत्यंत महत्वपूर्ण भूमिका आहेत. यूएफआय मोशन पिक्चर्स प्रायव्हेट लिमिटेड, किशोर वरिएथ, अनुपम खेर स्टुडिओ आणि तरुण राठी प्रस्तुत या चित्रपटाचे निर्माता आहेत- किशोर वरिएथ, कार्यकारी निर्माते आहेत- आशुतोष बावजपेयी. शिवशास्त्री बाल्बोआ 10 फेब्रुवारीला सिनेमागृहात प्रदर्शित होत आहे. एका वेगळ्या प्रवासाचा आनंद घ्यायला विसरू नका.
स्कायडायव्हिंग आणि सुपरबाइक चालवण्यास प्रवृत्त करणारा अनुपम खेरचा ‘शिवशास्त्री बल्बोआ’चा ट्रेलर 10 फेब्रुवारीला चित्रपट होणार प्रदर्शित
New Delhi: One of the most prestigious Cinema Awards of the country under the name and banner of Hindi Cinema Samman Samaroh took place during the 15th Global Film Festival Noida 2022 under the Chairmanship of renowned international film, television, and media personality of the Republic of India Dr. Sandeep Marwah President of Marwah Studios & Chancellor of AAFT University of Media and Arts.
Twenty seven important awards were presented during the global Film Festival including Hindi Cinema Gaurav Awards, Hindi Cinema Bhushan Award, Hindi Cinema Ratan Award, and Hindi Cinema Samarthak Award to the deserving film and other personalities from Art & Culture.
Vivek Agnihotri was awarded with Sarvashresth Nirdeshak for Kashmir Files. Dr. Anmol Kolhe was honoured with Hindi Cinema Gaurav Award. Other recipients of Hindi Cinema Gaurav Award were Mukesh Tyagi, Shubh Malhotra, Jaswinder Gardner, Kangna Sharma, Sayali Bhagat, Rajesh Tailang, Sahil Anand, Girish Thapar, Garima Jain, Digangana Suryavanshi, Liza Malik, Suparna Moitra, Rahul Agarwal, Brijendra Kala, and Saharsh Kumar Shukla was also presented with Hindi Cinema Gaurav Award.
Suchitra Krishnamoorti received Hindi Cinema Bhushan Award, T P Agarwal was honoured Hindi Cinema Ratan Award, Arjun Firoz Khan honoured with Hindi Cinema Bhushan Award, Himani Shivpuri also presented with Hindi Cinema Bhushan Award which are the most powerful awards of Hindi Cinema.
HE Nurlan Zhalgasbayev Ambassador of Kazakhstan received Hindi Cinema Samarthak, HE Hayet Talbi Ambassador of Tunisia also honoured with Hindi Cinema Samarthak. Others who were honoured with Hindi Cinema Samarthak included Thabang Linus Kholumo Charge d’ Affaires High Commission of Lesotho, Emile Mwepesi Charge d’ Affaires High Commission of Rwanda, Amizal Fazli Razali Charge d’ Affaires High Commission of Malaysia, and Yiannakis Makrides Deputy Head of Mission Republic of Cyprus who was also decorated with Hindi Cinema Samarthak during the three days of 15th Global Film Festival Noida 2022.
“Only in six years Hindi Cinema Samman has emerged as one of the most important film awards of the country. This is the only Indian Award which is also presented to the representatives of foreign Governments for the promotion of Hindi Cinema,” said Dr. Sandeep Marwah National Chairman Media and Entertainment Committee BIS. Ministry of Consumer Affairs Food and Public Distribution, Government of India and Board member of Board of Applied Arts & Crafts, AICTE, Ministry of Education, Government of India.
6th Hindi Cinema Samman Samaroh For 2022 At Global Film Festival Noida
Yatan Sharma, better known by his stage name “Kesa Yeh Pyar”, is a rising rapper and singer from the streets of India. Yatan Sharma is a talented rapper and singer who has taken the musicindustry by storm with his unique blend of hip-hop and R&B. Yatan Sharma up surroundedby the sounds of rap and soul music, which heavily influenced his musical style.
He startedwriting and performing his own music in his early teens and quickly gained a following in hislocal community.Yatan Sharma’s big break came when he was discovered by a well-known record producer“Dev ocean” who was impressed by his raw talent and original sound. With the producer’ssupport, Yatan released his first Raping song on 4 Feb on his youtube channel “YatanSharms Official”, which quickly rose to the top of the charts and earned critical acclaim.
The album showcased Yatan’s lyrical prowess, as well as his ability to seamlessly blend hip-hopand R&B in a way that had never been done before.He started his music career by performing at local talent shows and quickly gained afollowing in his community. His first rap song will be caught the attention of a local recordlabel. Yatan Sharma’s unique style and versatility in rapping and singing sets him apart fromother artists in the rap industry.
He seamlessly blends his hard-hitting lyrics with melodichooks, creating a sound that appeals to fans of all ages.Aside from his music, Yatan Sharma is known for his philanthropic efforts, using his platformto raise awareness and funds for various charitable organizations.
Yatan Sharma’s talentand dedication have earned him numerous accolades, including several Grammynominations and awards. He has also collaborated with some of the biggest names in themusic industry, further solidifying his position as one of the most exciting and dynamic artistsin the rap scene.
Discover The Mesmerizing Sound Of Yatan Sharma – A Journey Through Soulful Melodies
Sonu Kuntal, who has been associated with many well-known Bollywood films like Mulk, Raid, Paltan, Shaadi Mein Zaroor Aana has joined hands in the making of the Randeep Hooda starrer Laal Rang2 newest franchise. Apart from Bollywood films, Sonu has also given his contributions to many soap operas along with TV magnate Ekta Kapoor as executive producer.
Sonu’s brother Balram Singh Kuntal has also been very supportive. Sonu Kuntal started off his career in the best way possible by becoming an executive producer for Ekta Kapoor’s show Pavitra Rishta. He then went on to become the HOP of some popular Bollywood movies that have been the talk of the town. Sonu comes from the Bhagosa village of Govardhan, Mathura, Uttar Pradesh. The small-town boy with big goals decided that it was time he lands in Mumbai to fulfill his dreams of being a part of the ever-evolving industry. Although the journey was a struggling phase, he made it through with his wit and dedication. Now the producer is all in to work in Laal Rang 2 along with Randeep Hooda which is set to be released very soon.
Laal Rang2 Newest Sequel To See Producer Sonu Kuntal’s Magic!
31st January to 6th February 2023
“The Wandering Shadow”
An Exhibition of Paintings by contemporary artist Milind Limbekar
VENUE:
Jehangir Art Gallery
161-B, M.G. Road,
Kala Ghoda , Mumbai – 400 001
Timing: 11am to 7pm
Contact: +91 9423680511, 8999722709
This exhibition was inaugurated by Mr. Sudhir Mungantiwar( Minister of Cultural Affairs, Forest, Fisheries, Government of Maharashtra in the presence of many art dignitaries.
The Wandering Shadow
The wandering of mind and soul needs some place to open up. My recent series of paintings has got such space to explore. The present moment, has always a dual feeling of present and absent. The missing moment always travel with us and our wandering mind gets attracted to those whom you feel shall be yours. These missing moments are what I call shadow, they are almost everywhere. The animals in the painting are representation of curbed desires, the anthropomorphic forms that appears comes from anxiousness and split personality which is subtle and dramatic. No wonder the dramatization id shown always in night scenes because they are always hidden like mystery. You have to search and understand them the most vulnerable part in my work is the expression and gestures. I still feel it as incomplete process because the concept of my painting is abstract and can be better represented in abstract manner.
———-Milind Limbekar
THE WANDERING SHADOW An Exhibition Of Paintings By Contemporary Artist Milind Limbekar In Jehangi
31st January to 6th February 2023
“The Mystery Cult”
An Exhibition of Paintings by contemporary artist Sachin Sagare
VENUE:
Jehangir Art Gallery
161-B, M.G. Road,
Kala Ghoda , Mumbai – 400 001
Timing: 11am to 7pm
Contact: +91 9011251869
This show was inaugurated on 31st January 2023 by Chief Guest Hon. Parvez Damania in the presence of Vinita Mirchandani and many others.
The Mystery Cult
These new paintings by Sachin Sagare, like his previous body of work, arrives in a headlong rush of invention festooned upon a canny theme, in this case the female body in nature. He places groups of rural women worshippers; he names them as nymphs, dryads and goddesses into clearings in deep, dark background, thus activating irresistible tropes of an Indian painting tradition meant for royals. A more occult art comes to mind in these unkempt, unruly wildernesses, one which begins with the temple women.
The large acrylic paintings in the exhibition swirl chorus of graphically insistent folk women, white blossoms and filigreed stalks that recalls the backyard raptures of rural India. Sagare’s glades are uninhabited; their everyday ecstatic includes luminous beings, spirits of the feminine whose spare, archaic profiles float among the flowers. Faces, flowers, oil lamps and puja-thalis are painted with a kind of folk-art zeal while the cerulean temple walls behind, solidly modeled then dematerialized by dancing layers of sprayed pigment, is appealingly contrary in color, scale and attack.
Sagare’s experimental approach to mark-making thick or thin, macro or micro, tight or loose, brushed, sprayed or sponged goes for both background and figures. In one his paintings a lone woman in a classical pose is incised in green against the mottled background like a fading figure on a krater. Also cut from traditional lines, in this case black, are five hollow women in mystery cult, who seem to be lost, while by contrast, in the other work the three women protagonists are entangled in a single libidinous squiggle of green and yellow paint that, like flesh to verges on the repulsive. Changing tactics again, Sagare gives the golden apparitions to the three women with an earthy substance. They gesture with a narrative refinement that suggests, along with their warm, coppery tarnish, the microcosmos of an old temple pillar. Sagare, however, putting the brakes on such skillful seduction according to his restless temperament, encloses this exquisite scene in a dark, seething carving on temple panels and walls as brut as the figures are delicate.
Gender critique aside, the painting’s are busy, stop-motion scenography seems like an attempt to do the uncannily naturalistic, his figures form a certain logic to the way followed. The paintings in the show, for that matter, are distinctly re-engineered for function the small paintings marvelously contain their own charm. A large work rages a preposterously scumbled orange-green, barely contained by the jutting blue and purple forms of super-cooled, super-flat conifers. As in all the paintings, however experimental, internal typology is firmly organized motifs, motifs, figures and oil lamps. In this second large, ravishing version of the theme, clamorous day has turned to mysterious night. The precisionist symbolism echoes in Sagare’s crisp and fluorescent canvases, scintillating against a nocturne of blue-violet and black. Yet rogue textures icky drips and thorny bumps interrupting the most beautiful passages remind us of art concoction.
The paintings of Sachin Sagare display an overwhelming elasticity to them. Visceral grit, orchestrated by a network of collaged material, weaves its way into more traditional painting language. Elegance is replaced with subtlety of intrusion and the tenderness of seamless collision. His figures are painted with skins that seem vividly translucent, allowing us to gaze through the stratified layers of paint. Their luminescence seems both coy and purposeful, often serving as the only rational light source.
Sagare manages to excise gender performances from his paintings almost entirely In this intentional defamiliarization of space, he begins to deflate the omnipresence of normative social structures that forcefully define how and where conventionally feminine bodies are supposed to function. In this way, he prevents us from hijacking the agency of these figures forcing us to read their bodies as texts. Denying conventional legibility and insist upon the opacity of their own historical narratives.
What I find most intriguing about this work is the way Sagare leans into this obscurity instead of privileging clarity. This playful and at times spectacular irresolution plays a significant role in his work. Bodies are refigured as complex ensembles, brilliantly synthesizing the facility of his line, his deft paint handling, and a color sensibility. A collection of hieroglyphic hands, heads, with an elastic relationship to one another and to the spaces they occupy, these robust and curvaceous figures at times aggressively push the limits of the picture plane and at other times are jettisoned into the constellation of body parts strewn about the canvas.
With a firm and confrontational pose, torso twisted around and eyes focused back onto us and with a full view of his bare behind, the figure entices viewers toward this conceptual edge of the painting, reminding us that our polite curiosity is not to be trusted.
We do not miss the clarity of representational narratives in these paintings. Instead Sagare presents us with a curious proposition. What if we affirm the unconventional complexity in the bodies of the women folk? What happens to gender if we decenter masculinity and femininity and consider other modes of self–expression, displacing history to freely probe and repurpose the sources of our identity construction? There is no rush to answer these questions here. He instead forces us to sit, wholly attentive and present with every painting. This is encouraging.
———–Abhijeet Gondkar
THE MYSTERY CULT An Exhibition Of Paintings By Contemporary Artist Sachin Sagare
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